The best way to Shoot a Powerful Portrait

"Portrait photography or portraiture is photography of an individual or group of people that shows the expression, style, and disposition of the theme. As with other forms of portraiture, the focus of the picture is generally the man's face, although the whole body as well as the history or circumstance could be contained." Wikipedia

Yet if given the option of shooting a routine portrait or making a statement instead, most would likely agree that making a powerful statement in a portrait is better and may make the individual supporting the shot look cryptic, more wonderful and fascinating than in real life. !

This doesn't mean that colour shouldn't be used, but in the event you compare two shots side by side you'll most likely be surprised as how a black and white photo seems to be better in more ways than one when compared to a color portrait. !

Don't stress if parts of the face aren't observable or withing the bounds of the framework or even hidden by the hair, hands and so forth. Suggesting regularly works much better than a complete reveal. The mind understands the parts which are not being revealed are there and we automatically fill in the differences.

One more thing that improves the general pleasantness of the picture would be to make use of a beauty dish. A beauty dish isn't a thing that many beginning photographers understand about but it's turned into a stable for studio pictures where individuals are the key issues.

A beauty dish is just a shallow parabolic disc that attaches to a light source. There's a plate covering the flash head and this causes the light to reflect back into and outside to the sides of the primary dish. !

You need to also have in hand a catch light; a catchlight is a light source that causes a specular highlight (round spots) to appear in a subject's eye in the picture. This brings the subject's eyes to life. If looking at a portrait as well as the eyes neglect to "pop out" then they might seem dead and boring.

Among the very first things a observer will notice about a portrait, whether knowingly or subconsciously, is the way the subject is set within the edges of the picture. Is the head of the subject high or low in the framework? Are the eyes found at the center of the framework?



Posted on March 17, 2015 at 03:25 AM